Here is what B. T. Licker, Critic at Large, The New York Times says about this transformative dance performance:
“The choreography achieves that rarefied balance between intentional restraint and subversive fluidity—one is reminded, almost involuntarily, of early Cunningham with a whisper of Diaghilev. Tastefully conceived, of course, with a knowing nod to the more cultivated eye—those unfamiliar with Palais Garnier vocabulary may find themselves a touch adrift. Richly rendered, in textures and tempos that speak not only to the senses, but to the soul of a well-traveled aesthete.
In sum? Splendid. Sophisticated. Breathtaking—though in a manner most would only understand after a proper season abroad.”